Them is a clear underdog, and not well known, but in the words of many critics, it is taught science fiction at its finest. It's really great dialogue even if it is 50's cheesy sometimes. One line that immediately comes to mind is the very last line in which it gives a warning on par with the original Japanese Godzilla movie, we don't know what we will find now that we've entered a new age.
And the dialogue of this movie I believe is legendary. If you never saw a trailer, you would think for the first thirty minutes you were watching a thriller murder mystery most of the time. Giant ants are only slightly hinted at during the first third of the film. But what I love about this one is it's pacing. As one of the first radioactive big bug movies, it was one of the first of its kind, and laid out the road for many famous Monster flicks. The menaces came in the form of giant ants, which may sound goofy, but it's actually pulled off near flawlessly. It took us to the grounds of the first atomic bomb test, and showed us what man created with his new weapon. The movie however I believe is the biggest first step in Giant Monster movies. You may or may not have heard of this film, it came out after Beast from 20,000 Fathoms, and a few months before Godzilla, but it's kind of an underdog. You may find it surprising that I would place this above King Kong, but I've got some reasons for placing this movie above it. So did the reboot come close? That's a matter of opinion for every fan, but in the minds of most Godzilla fans, we will forever hail this movie as the number one monster film of all time. It is the one Godzilla movie, each movie can look back to as a true starting point, wherever you start in the Godzilla franchise, the year 1954 will always be mentioned. And no one would think that sixty years later, we'd still be celebrating this film, and showing it worldwide in theaters. The raw emotions of this film are easily seen as is the anti nuke message. This film rose amongst harsh criticism, and was successful in one of Japan's strongest franchises to date. And at the time, when it was competing against Japanese film giants like Seven Samurai (a film which Gojira would lose to in the Best Picture Award race, and I can't disagree, Seven Samurai is an epic and a classic adventure for Japanese Cinema), it battled harsh reviews that made 1998s Godzilla look merciful. What isn't to like about the legendary debut of the King of Monsters? Not only is it successful in portraying the then, young fears of nuclear warfare in the Japanese culture, but was successful in creating the most iconic monster in film history. “I barely even listen to suggestions because I’m stubborn on sticking to my vision.Yes this was the predictable and clear choice for number one. “They’ve requested me to make changes to the game (stupid things like making ara and faranne not adoptive sisters if they are to share a scene), which if you all know me, you will know I’ll never do,” wrote Redamz.
He stated, “While I had avoided all of their previous witch hunts, it seems they finally don’t like MGI anymore.” On April 28th, Redamz took to the game’s Patreon to post one final update, simply titled “ Leaving Patreon”, to his supporters, notifying them of his decision and explaining that he had chosen to leave the platform. Though the game has been featured on Patreon since it began development, with Redamz all the while openly and proudly wearing the game’s Adult label, it now appears that a recent attempt by the platform to elicit changes within Monster Girl Island has led the indie game developer to end this nearly six-year business relationship. Related: Patreon Responds To Adult Anime Artists Claiming They Are Being Suspended For Artwork Showing “Sexualized Depictions of Minors”
Source: Monster Girl Island (TBD), Redamz